A family drama shot almost entirely in one flat. We kept skin honest and let the walls go deeper as the night goes on.

Six episodes set in one all-night diner. Every episode ends closer to morning, and the audience should feel it before they see it.

A sixty-second spot shot on wet city streets over two nights. We matched both nights so the car looks like it drove one street.

A feature documentary filmed across one wet autumn. The weather changed every hour, so the grade had to make four months look like one season.

One take in a flooded field at blue hour. We held the fog cyan and kept the lantern the only warm thing in the frame.

A thriller short set over one night at a motel in the snow. The neon had to stay loud while the snow stayed blue and never went grey.